In all his chorale arrangements, Bach took inspiration for the style and atmosphere from the words of the hymn on which his composition was based. But the main role in his chorale partitas seems to be given to pure pleasure in playing and inventiveness. For over twenty minutes, he explores the harmonic, rhythmic and stylistic possibilities of the melody forming the base of the piece. There was much that Bach could learn from these masters, but the challenge of variation must have held particular appeal for the young composer. It was not just conceiving of the most varied and sophisticated series possible, but also the virtuoso interpretation of that series that provided the opportunity of rivalling his idols.
The chorale partita BWV is a special form of chorale arrangement, as the chorale or hymn serves as the starting point for a series of variations. The art of variation was at its peak in the seventeenth century. Usually, a folk song was taken as the starting point for a series of variations that increased in difficulty and speed. The genre was not restricted to keyboard instruments. The blind Dutch recorder and carillon player Jacob van Eyck was also a master in the art, for example. The five compositions by Bach bearing the name of chorale partita do not come from a single source, nor are they dated, but it is supposed that they originated in his teens and may have been revised later on.
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